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2021, 12, v.42 137-145
间性的消逝:流媒体与数字时代的视听文化生态
基金项目(Foundation): 深圳市哲学社会科学规划课题“深圳城市文化品牌全球传播策略研究”(SZ2020B035)阶段性成果
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本文主要基于技术可供性分析,深入挖掘流媒体的发展、普及和智能化给当代视听文化带来的"间性消逝"这一结构性变化,并据此归纳出数字时代视听文化的三个基本趋势:流行审美的私人化、社会交往的原子化、身份认同的流动化。本文认为,数字视听文化是一种建立在互联网用户的认知区隔和情感交缠基础上的文化,具有表浅、混沌和反公共性等核心属性。基于上述分析,本文进而提出数字时代视听文化理论发展的两个策略:对媒介的生态性分析应当在未来的视听文化研究中扮演基础性的角色;在解释视听文化领域的具体现象时将情感动力视为行动者的基本行为逻辑。

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①参见:《三批孙杨、五评肖战检察日报竟然被说“不懂法”》,中国网,http://zjnews.china.com.cn/yuanchuan/2020-03-12/216341.html,2020年3月12日。

基本信息:

中图分类号:G206

引用信息:

[1]常江,田浩.间性的消逝:流媒体与数字时代的视听文化生态[J].西南民族大学学报(人文社会科学版),2021,42(12):137-145.

基金信息:

深圳市哲学社会科学规划课题“深圳城市文化品牌全球传播策略研究”(SZ2020B035)阶段性成果

发布时间:

2021-12-10

出版时间:

2021-12-10

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