西南民族大学学报（人文社科版）

历来很多研究陀思妥耶夫斯基的评论者（如Ｍ．巴赫金及其著名的“复调理论”），往往倾力关注陀氏在文学形式上的辉煌成就，却忽视了陀氏全部创作的根本底蕴——信仰问题。本文力图追踪陀氏对个体信仰可能性的探寻，厘清浸透于陀氏作品中一系列经过转换的传统神学母题。职业神学家的思想构造往往从既存的神学命题出发，而陀氏这样的小说神学家的思想出发点则直接切入信仰个体的现实生存困境。或许这个维度能够向我们提供更为丰富的启示

Abstract:Always,many critics who study Fyodor Dostoevski(such as Mikhail Bakhtin and his famous“Theory of Foygphony”),aften follow with all their interests with Dostoevskis brilliant achievement of literary form,yet neglect the fundamental inside information of his whole creation——the problem of faith. This text starts with a thoroughgoing analysis of one chapter from Dostoevskis great novel The Brothers Karamazov ,strives to follow the trail of Dostoevskis exploration of the possibilities of individual faith,clarify a series transformed traditional theological mother propositions which soaked in Dostoevskis works,by means of narrative structure analysing,history studying theological/philosophical,thoughts discriminating,etc.The mind construction of professional theologians aften set out from established theological propositions,while novelistic theologinv like Dostoevski,whose starting point of thought hits the real existent predicaments of faithful individuals directly.Perhaps this dimention could afford us more abundant revelations.